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	<title>ARCHIVIST ADDENDUM</title>
	<link>https://archivistaddendum.com</link>
	<description>ARCHIVIST ADDENDUM</description>
	<pubDate>Fri, 25 Oct 2024 11:44:16 +0000</pubDate>
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		<title>BG</title>
				
		<link>https://archivistaddendum.com/BG</link>

		<pubDate>Fri, 14 May 2021 13:20:44 +0000</pubDate>

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		<title>Shelly Goldsmith</title>
				
		<link>https://archivistaddendum.com/Shelly-Goldsmith</link>

		<pubDate>Fri, 14 Oct 2022 14:20:57 +0000</pubDate>

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︎︎︎Available at Tenderbooks



PREFACE / Shelly Goldsmith &#38;amp; Dr. H. Hernaiz-Sanders /
Where is my sense of control located? We have all met someone with a strong internal Locus of Control; their behaviour is guided by their personal decisions and efforts. We have probably also come across someone with a strong external Locus of Control, believing that their behaviour is guided by fate, luck, and external circumstances. However, nobody is located totally externally or internally; we all live within a continuum of the two.



The Locus of Control predicts an individual’s future based on their past experiences of the world. A school of thought from 1950s America, the Locus of Control is a psychology concept theory originally developed by Julian Rotter*. It is used in personality psychology to signify a person’s ‘locus’, (Latin for ‘place’ or ‘location’) as either internal or external.



Who we praise and where we apportion blame is consistent with the two modes of being. Those who are internal take credit and responsibility for their actions and those who are external see others as strongly influencing their successes, or at fault when things do not work out well. This external position is associated with depression, helplessness, hopelessness and stress, following predictably poor life choices. Those with a strong internal perspective are more likely to be psychologically healthy and stable.


The Locus of Control is strongly connected to the construction of the ‘sense of self’ and ‘self-evaluation’ as one fundamental dimension for the appraisal of oneself, allowing us to observe our own attribution of power and how it affects our own outlook of life. A child enters the world with a neutral Locus of Control but this can be influenced and moulded by their upbringing, the people around them and their cultural and geographical situation. By the time an individual reaches around 40 years of age the influence of internal factors now have a stronger impact.


In the same way, a geographical location may dictate our locus tendencies. A location with a high frequency of extreme meteorological incidents presents unpredictability and instability; the high incident of tornados of Ohio, USA is one example. Contrastingly the ebb and flow of the tides of Kent’s ‘Thanetian’ coast with its negative hydrogen ions, present predictability and well-being.


The clothes we inhabit represent a dual location, as we at once inhabit both internal and external zones of the garment; a complex expression of self. Our Locus of Control undoubtedly affects the choice of how we dress.




︎︎︎Available at Tenderbooks


ARCHIVIST ADDENDUMISSN 2635-1668



PUBLISHED BY HOWARD CHODHA LTD.2022
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		<title>Delaine LeBas</title>
				
		<link>https://archivistaddendum.com/Delaine-LeBas</link>

		<pubDate>Fri, 25 Oct 2024 11:44:16 +0000</pubDate>

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︎︎︎Available at Public Knowledge



/In the forest of grief I grew into a shrub of gold/


For British artist Delaine Le Bas, dress is divine. Clothes appear as both mask and memorial within an expansive body of work exploring mythologies of Le Bas’s Romani ancestry. Embroidered and hand-painted textile is central to the artist’s lyrically activist practice, alongside costume, writing and performance. In a new series of portraits by the British photographer Tara Darby, directed by Jane Howard, gold leaf dances across the planes of Le Bas’s face in repose, it wraps and jangles around her wrists, glimmers across her clothes. In a notebook she has inscribed: “In the forest of grief I grew into a shrub of gold.” The grief is alchemical.

As Stephen Ellcock writes: 

“The maxim ‘Know Thyself’ was inscribed in gold on a column on the threshold of Pythia’s temple, serving as a warning that wisdom, understanding, empathy and anything remotely resembling peace of mind are unachievable without self-awareness, reflection and ruthless self-criticism.”
The fragments of hope, anger, magic and curiosity redolent in Le Bas’s work form a call to action. A reminder of the racism, exclusion and subjugation that abound. Photographs of Le Bas, which Darby has been making for more than a decade, present the artist as truth sayer, inquisitive goddess and modern-day Sibyl.

Through the incorporation of texts—a conversation between gallerists John Marchant and Keiko Yamamoto with curator Claire Jackson—drawings from Le Bas’s journals, archival images taken at her home and the restyling—and reflection—of her own personal wardrobe, In the forest of grief I grew into a shrub of gold radiates psychological, social and political wisdom. Fashion is revealed as both tyrannical disguise and liberating regalia. 

With contributions from Stephen Ellcock, Lisa Cohen, John Marchant, Keiko Yamamoto, Claire Jackson, Damian James Le Bas


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︎︎︎Available at Public Knowledge


ARCHIVIST ADDENDUM



PUBLISHED BY HOWARD CHODHA LTD.2024

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